When do we talk about ‘TLOP’
We have about 300 emails and a month. We started with seven people and increased to eight, although the composition of the group has changed a bit. We are thinking about 18 songs album, we already has two weeks, this time a year ago has released some loose version and guest scripture, and endless tweets and some pictures. Although Kanye drives the emotional roller coaster in the plane view all of us are trying to ignore rumors and gossip and think it’s impossible. We bring different histories, sights and attitudes. Our personal lives are not the same. The time zone and weather we are working on vary. Some of us have never met. But we find that since January 15, the time we spend talking is intellectually exciting, emotionally rigorous, and ultimately necessary. I don’t think anyone really wants to convince anyone. There are some flips. We are trying to find out, and then express between us and what is happening between you and us, because these songs, character and attractions are all here now, they had never here.
We’re making clunky, fair, this version of crumbling and starting and awkward landing and the album itself. I think this is a trust in him, and we cannot issue any clear or concise content responsibly. About the life of pablo everything, from the invitation to the premiere, through tidal sample service to the Vine, can trigger it, and mix the wear on the edges, it is a terrible idea, from another perspective, clever. It was impossible to extricate himself from everyone else, because he was an attractive artist and attracted the attention of American audiences. He gives us the opportunity to talk, to write and to think, and we need it.
We are not in accordance with the time in order to show our communication, but as far as possible, divide it into three repeated theme: Kanye let’s talk about him, I was the only leader), he let us feel uncomfortable, I would say I felt wrong time, he let us think about (I love you like love Kanye Kanye). When people talk about Kanye, they show themselves. I don’t know if that means he’s an excellent artist, and I know that’s why we’ve been able to fill all of this ink.
Kris Jenner, Kayne West and Travis Scott were in Paris in October 2015 at the Vogue 95th anniversary party.
Kiana Fitzgerald: the concept of TLOP is huge and pervasive – almost a mistake. As the children say, there may be too many cooks in the kitchen. It doesn’t think that a person’s brain is controlling this engineering, and I think that’s what we’re more or less used to getting from Yeezy. We expected him to be Geppetto, but this time it felt like he was a puppet. Kanye adopts the ouroboros model comprehensively: influenced by the current influencers, and positively influences the future influencers. I don’t know where he is on the timeline. Although he likes to portray itself as a visionary in a vacuum, but he keep on poll (social album title), and the people around him, the young Chano release date have the final say) for inspiration and the final idea. He always USES the tools available,
Kris ex: is this the first time Kanye has asked the public to provide legal feedback? Whether it’s bruch or brahe, or album cover, or what? I think he’s usually the master of rhetorical questions and circulatory logic, and this feels more… “Open”. This may be just growth or transformation.
Laurence burney: I think there are a lot of Kanyes that are as interesting as most of his work, but this time it feels more disconnected than ever, and that’s my challenge as an audience. It’s like, it’s hard to catch taekwondo in fact it’s here. The credit of the album is exhausting. It was like he was in the room, but I didn’t feel his presence in the whole thing. It erupts. In this way, it still sounds like a masterpiece. Kelly Price’s single poem in the “super light beam” made me ready to reconvert to Christianity, and I still stuck to this opportunity verse. The future/Metroboomin may be the best in history — maybe not, but I don’t remember being excited about the decline in rhythm. “True friends” welcome to Heartbreak “, and “FML” at the end of the transition section 25 samples is a huge change, even if only a tiny sound in many songs TLOP role, Kanye curator genius by scattered narrative, lyrics.
Chanelle Adams: Kanye tells us he’s worried about white men. His prayers went to Paris, the city that held his dream of fashion week. He was able to make risky investments and knew he would sit on the kardashians. It’s all a trap. He is both an advertisement and a devourer. There’s no purity here. Or anywhere, really.
Chris: F *** he and his silence. F *** everyone supports his nonsense. I’m tired of him just talking about s *** when he’s having an impact on him. I’m tired of him yelling at Sway for more SKU, not the dead body in the street. Massive police corruption in his own home town. F * * * him. F *** Paris. I am Charlie, but I’m not Trayvon, because Trayvon was already dead, Charlie is still near the photo shoot, and comment on their leaves with blood, and Kanye is expensive fruit from a woman, he didn’t realize they are humans because b * * * * * * love we call b * * * * * *.
Well, yes. Where am I? Oh: his words were made by the committee. How can we get to know the man’s lyrics? Turning off Frannie’s influence, I began to listen to his old dog poop and Jesus h. Charlie… A ghost. F * * *. How do we get this slide? As I said, I like all music of Kanye except Kanye. I like rhymes and flows and ideas – just his voice and delivery. What we know now is the only thing he brings to the studio. Pray for Paris? Cute, n ****. But who wrote it for you? (yes, George Bush didn’t care about black people, but he still didn’t.
Frannie Kelley: well, I’ve been thinking, maybe we can understand Kanye in our culture, take the reductive elevator pitch, as an unmanned combat fighter. In public, he may be a bit obsessed with the wild, the feeling of temporary release, tend to be wild, violent words and punctuation, some of which are worth it/genetic, some of which is easy to be misunderstood. You can think of it as irresponsible. Of course it’s inconvenient. But Kanye is moving away from unjust infrastructure. He is trying to accept something that is not only not public, but also insistent, because its responsibility falls on the shoulders of hundreds of millions of empty averages, and they don’t think they are capable. Taylor is not alone. Taylor is a shining light. The battle against us was a heavy, serious injury.
But he then made possible moment, such as Chance on SNL show “Ultralight Beam” : there is no security in life without Kanye bombing as a contrast, the opportunity to take over when the room transfer, some relax on the surface of the choir, did not happen. It is very impressive to turn The-Dream and Ye into a fan. It is very impressive at The courtside. However, if Ye is not loose with The reality, he will not surpass it. Kanye could be straight men there; In the young circle of Chance, he was the director, and his work was sometimes reluctant. He did some possible, for example: “I met Kanye West, I would never fail”, this would be a mistake, and there is no “, “I will never go to hell,” this is a lie at least half, thanks to Rhymefest contribution, I don’t understand why people think they have talked about Kanye.
When we were watching the MSG program, when we heard Kanye say “pray for Paris,” Chris was all that flint had. But I think Paris is less abstract to Kanye, where Kanye has lived for at least a few years, and has been there, not Flint, Michigan. This is a kind of progress, I don’t think it wise to forget the charm of Paris for black immigrants in particular cultural giants, such as Josephine baker and James Baldwin, and today’s heath coates. Combined with assault rifles and home-made bombs, it was too bad; Based on years of budget cuts and elected officials conspiracy injury in children and its degree for decades will not clear, in fact this is the fact that happened before and will happen again – how do you even wrap your head? Who was imprisoned for long? What is compensation, do not mind safeguard measure? I’ve heard that TLOP is such an emotional response, but Kanye can’t talk about it. Rarely. I only saw this man land it. I think I want to know, if Chance will ride with Ye now, will he become a new detail? Or the new Rhymefest? Where is Travis standing?
Jason King: Kanye is an excellent, meticulous artist who has never created a bad record, and has always assembled a powerful visual concept to match his music idea. I liken him to the kubrick of hip-hop. But, like the anti-war movement, the TLOP campaign has been as good as ***. Poseur. The marketing mess is a serious breach of the brilliant (and traditional) marketing practices behind popular artists such as Adele, zayn and beyonce. We will soon realize that there is always a major plan, but I won’t bet my money on it. For me, it is interesting to note that, if only because we are in the era of s * * * show deep inside the knee, it still feel related (New York times said this is the age of “failure” after a period of time), it is very interesting, because Kanye do (or don’t do very well) fully meet Jack Halberstam in the 2011 years of history, this is the failure of the weird art.
Kanye can be a wild, narcissistic, no filter musician, he used his provocative voices and cultural ideas, such as ammunition – also not afraid of mining business interests of black aesthetics (e.g., on his first Yeezus). But he clearly dreams of blossoming into an iconic fashion designer. He could not go all the way there for obvious and hidden reasons. But he entertained us because he tried to go there. What he ended up producing was an artist who split into pieces through a series of demands and life processes that he couldn’t fully integrate. I don’t know if he’s crazy, but he’s certainly not free.
So MSG events – him WTF you can use it as a party in another – are still very attractive, because it provides us with a very old sontag defined camp: camp is the strange ambition of failure. This is really strange, weird, poor, flawless, entirely too top, almost no interest, very accord with including Ed wood, warhol, jack Smith, forcing entertainment, goats failed camp, such as the long history. Island, elevator maintenance service, your name. Edwood is not Cecil b. demille because kanye is not valentino or rick owens. The great camp artists have made iconic works because of the gap between desire and execution, and because they implicitly accept failure as the core principle. To make Kanye his dream cultural icon, he had to face the popular music defeat.
Frannie Kelley: I can’t figure out how much Kanye doesn’t know, but it feels like he’s building his family into this surveillance monarchy. And the people on the floor didn’t. In addition to what they do, no one violates, even if a smile makes this person famous, what does Kanye see in this hierarchy? I want to look at this problem with people like Kanye. But I think it points to an uncomfortable reality that we are almost always providing free information and ideas to companies. We are upset, but convenience always wins. Maybe we saw the breakthrough?
I was worried because the whole team heard TLOP for the first time when they were watching Yeezy Season 3 in the garden, and we already had a bug. The show is the only album cover we can confirm. I’m sorry, I made everyone do it.
Chris, for example: and then there is this: the post of time in 1995 adopted the rwandan refugee camp, which was used for MSG invitations and as a staging post for inspiration. ]